Vampire Influences on Modern Popular Culture Research Paper

Vampire Influences on Modern Popular Culture - Research composition ExampleIn essence, the domain of eroticism is the domain of ferocity, of violation, Bataille wrote in the text Death and Sensuality (1957). The around violent thing of all for us is death which jerks us out of a tenacious obsession with the lastingness of our discontinuous being. (Bataille, 1957) The area of bed which Bataille writes about is typically kept under the veils of secrecy and taboo, non to be spoken of publicly. Nevertheless, his theories open up an understanding of why the vampire mythologies have become so popular and prevalent in modern culture, because he shows how the sensuality of the experience is heightened when the religious, sexual, violent, and erotic images are intricate with narrative in a dramatic fashion. Bataille critically worshipped the orgasm as la niggling mort or the little death in French, and through this association the power of the vampire stories can be seen in evoking a t ranscendence that takes the initiate from the realm of common life to the existence of immortals. (Fuchs, 2011, p.3) This theme is seen repeatedly whether it is in the Interview with the Vampire, Twilight, Lost Boys, or Dracula imagery. The fusion of mystical, religious, and erotic imagery has the effect of victorious the narrative beyond social taboos and therefore heightening excitement through the combined semantic rate of the symbols in the minds of the audience. Death and Eroticism Bataille was an early member of the Surrealist movement in France, but focused in general on literature and exploring the psychological relationship between death and eroticism in experience. His early survive focuses on the violation of religious and social taboos, just as the vampire mythologies do in coeval culture, albeit in a far more extreme manner than the television and films typically depict today. The agreement for Batailles excesses can be seen in the phenomenon of transgressive sexu ality combining elements of religious mysticism, artistic creation, style, symbolic drama, and violence in the practice of eroticism. The vampire mythologies follow this same pattern, for example in the Twilight series, Bella wants to marry and experience eternal life with Edward Cullen as a type of higher love, while the settings of the vampire myth accommodate religious elements fused with eroticism. As Bataille wrote, The totally business of eroticism is to strike to the inmost core of the backing being, so that the heart stands still. The transition from the normal state to that of erotic desire presupposes a partial decomposition of the person as he exists in the realm of discontinuity. Dissolution this expression corresponds with dissolute life, the familiar diction linked with erotic activity. In the process of dissolution, the male partner has generally an active role, while the effeminate partner is passive. The passive, female side is essentially the one that is dis solved as a separate entity. exclusively for the male partner the dissolution of the passive partner means one thing only it is surface the way for a fusion where both are mingled, attaining at length the same degree of dissolution. The whole business